Extended Encounters: Part III

**This post is the third in a series about our three-month material investigation. To read more, go to the first post here.**

Going Deeper

Spending an extended period of time with the same material led many classrooms to really delve into the possibilities and potentials of their chosen area of exploration. Teachers and children alike developed new understandings and expanded their vocabularies as a result. 

“I never had the depth of knowledge [about natural materials] before… I was learning what items are called what names. I went from an admirer of nature to understanding a little bit more about it. They were playing around with it all the time… but some of their questions were fascinating and led to introducing new vocabulary like density. … and exploring along with kids perhaps at the same level at times brought me joy…. I don’t know why, but the whole time, a piece of poetry kept coming to my mind:

“To see a World in a Grain of Sand

And a Heaven in a Wild Flower 

Hold Infinity in the palm of your hand 

And Eternity in an hour…”

 From Auguries of Innocence by William Blake

- Akbar, Toddler 2 North

“I think that the requirement of using the material in your curriculum everyday really forced our team to push past what the surface level uses of paper were. We spent the first weeks having paper in our room and building up our children's vocabularies about the material. But once we had spent a few weeks on that we were forced to dig deep into how paper can be used in the classroom. We found ourselves asking questions like  "what does paper sound like" or "what happens to paper when it gets wet." And as we expanded our idea of how "paper" could be in the classroom so too did our children. Today if you took all the paper out of our classroom, it would be mostly empty.”

- Wheeler, Toddler 1 South

“... because the kids are so much shorter, they would notice things on the ground, and it reminded me to look down not just up… and the question “what’s inside” sparked a lot of interest… it was amazing how happy or angry they got depending on what was inside the acorn.”

- Elayne, Toddler 2 North

“When we decided to explore natural materials for the first three months of the year, I had no idea how far we could go with offering authentic, raw materials from the outdoors. In the past, we had laminated leaves to offer our babies a close-up, yet indestructible way to access the leaves that fall to the ground. This year, we have offered fresh leaves, branches, pine cones, and even produce from our garden! … It’s been thrilling to see our babies, as young as three months, reach for and grasp leaves and pine cones. As they’ve grown, we’ve expanded our exploration by offering giant leaves from collard green plants, for example. How exciting it is to see how babies can make their mark, and thus, learn about natural materials, when they wouldn’t usually have access to them!”

- Christina, Infant South

“It all started with a lid. We brought lids into the classroom in August because it was a loose part that we had available to us. I had the expectation that children would use metal lids to explore sound. Although the infants did explore sound, I was amazed by the variety of ways children interacted with lids, and how their actions led us teachers in the development of our loose parts exploration over the past few months. After the children explored the sounds of the lids, they began experimenting with how the lids fit into different objects. This helped expand our loose parts curriculum into containers of different sizes. Next, the kids seemed interested in how the lids stick to other objects, and this informed our investigation of magnetic properties. The children currently seem interested in the shape of the lids, and we plan to investigate wheels and things that spin. I am amazed that the infants have shown interest in lids constantly for three months! I am fascinated by the new properties of this material that the kids continue to discover, and how their interactions with one material have been a driving force for our curriculum throughout the year. I am eager to see what the children discover next, both with lids and with other loose parts!”

- Hannah, Infant North

Extended Encounters: Part II

**This post is the second in a series about our three-month material investigation. To read more, go to the first post here.**

A Portal to Possibilities

In almost every classroom, the longevity of our exploration allowed the materials to not be simply a focus in the room, but a catalyst for other important work by children and teachers. It often served to highlight, support, and sustain larger questions, which might not have been visible without our intense observation and thinking about the original material in question. 

“Wood was present in our classroom in many forms and discussed in team meetings. I am less sure if it provided a lens for getting to know each other or a rich focus for the class. We definitely had fun. 

Early on we had a few conversations about the sensory experience of wood - what it looks like, feels like, smells like. However the children in P1 seemed more interested in what you could do WITH wood, and TO wood, than in the intrinsic qualities of wood itself. Children often used sticks in dramatic play indoors and outdoors… They used wood as a background for activities such as building, sorting, and counting… Combining wood with other materials such as string and wire and tape offered opportunities for children to create new things... They were excited to collect sticks on the river walks and on the playground, and to use tools such as drills and saws with wood... It seemed to me that their interest was in the experience of using the tools themselves, and less about how they could use tools to discover more about wood."

- Loren, Preschool 1

“The Natural Materials area in our classroom seemed like the place where the children came together and did a lot of coordinated play as well as side by side play…. These open-ended materials showed me about each child and how they thought, what their interests are and what excites them. C was all about cooking and using her imagination, M loved to sort, and R liked to bring other materials such as trucks or blocks to the Natural Material area to create something different. For me having the Natural Materials in the classroom brought this classroom together, from the children that moved up from Infant North to new children that started this year, to all the teachers.”

- Caroline, Toddler 1 North

“... I never would have guessed [the natural materials] could be used so many ways… seeing [them] used as placeholders for food, being carried around the room… and the joy of using the things they had grown in the garden…"

- AJ, Toddler 2 North

“Our investigation of loose parts has been so transformative in my thinking and even in my everyday life. I love the planet and feel that we should find value in our environment. I was not expecting this investigation to bring me more insight in my everyday thinking when we started, but surprisingly it has extended out in what I have been observing in the community I live and participate in… Loose parts are an intricate part of our classroom identity and opened a bigger question for me and my team about "how do things/people/community fit together?" I believe that this is a concept that is at the core of humans, our identity, and the need to connect. I am surprised that that is what I found from the experience, and I love that it has bent my thinking. This world is made of loose parts and we can get philosophical and say so are all individual people, we are searching for a sense of belonging and acceptance, not in spite of but because of our miss matched attributes.”

- Aleksandra, Infant North

“As we started to amass natural materials the children began to think about categorization and where and who the objects "belonged" to.  We created a natural materials shelf for our classroom and the children sorted the objects to place on the shelf.  During their play they would often return to the shelf to gather materials they needed.  The theme of belonging has since been an ongoing thread in our classroom that children, teachers, and families are exploring through multiple facets of our curriculum.  Our natural materials investigation was therefore a catalyst for a much deeper dive into questions such as:

"Does it belong?"

"How does it belong?"

"How do you come to belong? (to a group, game, place, community)"

- Amanda, Preschool 2

“We started off with a very large, nondescript clay block and a few hand tools. As weeks passed children’s interactions with the clay changed. I was intrigued, observing the changing relationship of each child with the clay as well as how their relationships with each other evolved when working with the clay together.... In their early introduction to clay the physical act of working at changing the block of clay seemed to be their main goal… As the clay chunks became smaller and more easily moved by the children we started to observe more individualized clay exploration. It became apparent when each child claimed chunks or slabs on their own they named, with pride, a specific creation such as “pizza”, “tree” “pasta”. As a group, they influenced each other more and began to migrate to the same play concepts and ideas while the individuality of their clay objects became an extended social experience… Eventually the small parts and tools used to alter the clay started to become something more... Patterns created from using materials emerged and took on their own meaning. The clay investigation came full circle. In the Studio small parts were hidden deep in a clay block by half of the class. The other half went to the Studio on another day and worked at extracting the pieces their friends had hidden, using tools, both side by side and together, for a common goal.”

- Janet, Toddler 2 North

“In the beginning of the year, [we] introduced a few of the natural materials by creating still lifes... As the year progressed we decided to challenge the children by having them create their own still life and draw it. One thing that surprised me about this investigation was how focused the children became and the pride that [this experience] instilled in their work. What brought me joy during this investigation was how the children then started taking pictures of their own work - I believe this investigation of the material helped them to gain confidence in themselves.”

- Ally, Preschool 2

Extended Encounters: Reflecting on our long-term material investigations

“A first encounter for children with materials… is a necessary step in children’s process of knowing. Through such encounters and explorations, children build an awareness of what can happen with materials, and adults build the ability to observe and support the significance of each particular experience.”

-        Giovanni Piazza, “Materials, Relationships, and Languages,” in ed. Gandini, Hill, Cadwell, and Schwall, In the Spirit of the Studio, p. 13.

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How do we build a relationship with a material? What can we gain by continuing to engage and re-engage with a material over an extended period of time? These were some of the questions at work for both teachers and children this year as each classroom embarked on a three-month-long material investigation together.

At the start of the year, each classroom chose a specific type of material (light, paper, loose parts, clay, natural materials, paint, or fabric) to explore, signing on to have that material present in their classroom every day and be part of their documentation, reflection, and curriculum planning for the next three months. Five classrooms chose natural materials, one chose paper, one chose clay, and one chose loose parts, and away we went!

Our material investigation was by no means an easy undertaking. It required stretching, growing, learning, and disequilibrium on the part of teachers and children. The same way that children often express frustration as they learn a new skill or grapple with a new concept, many teachers found themselves challenged to think differently about their material and its possibilities. 

Different classrooms took different approaches to this project – some classrooms set themselves a focus from the start, while others explored more openly, waiting for an interesting question or idea to arise. Some materials came with particular challenges that necessitated flexible thinking and collaboration on the part of teams. For many classrooms, the material itself provided a lens or portal through which other threads could be explored. In a few cases, however, the natural material itself proved the catalyst for going deeper, encouraging the children and teachers to learn more about that material’s unique possibilities. 

Many of our teachers took time to reflect on their experience with this long-term investigation, using the following prompts as a starting point:

• How did your understanding of the material and its possibilities change over time?
• How did children's interactions with the material change over time?
• What was surprising or challenging to you during the investigation?
• What brought you joy during the investigation? 

Excerpts from their reflections are collected here under the groupings of “overcoming challenges,” “a portal to possibilities,” and “going deeper” in order to share one facet of our work with you. Of course, there is always overlap, and there are cases where teachers’ words could fit into any of these categories. In each case, I used my best judgement to put them under the heading that seemed the best fit. Thank you for reading and please share any of your own thoughts and experiences from this investigation!

- Katie

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Overcoming Challenges

Many challenges arose for different teachers over the course of this work - some expected and some not. Sometimes it was a challenge to find the right approach to the material in order to engage both the children and teachers in the exploration. In other cases, the material itself necessitated flexible thinking around issues, such as how to use it safely with young children. 

“It was hard at the beginning to include a material that none of us were quite interested in. Over time, though, the children's interest in this material evolved to another unexpected way of usage: Space. Children demonstrated awareness of the material as a tool to create a physical space and define it, moving the paper as a "stage" to sit, jump or play on it, or using it to hide. This was amazing to see. It brought me joy to realize the many ways and uses the children gave to sheets of paper.”

- Connie, Toddler 1 South

“At first, I thought that the children would show interest in the properties of paper by exploring it in ways that included trying to rip it, crinkle it and scrunching it up into a ball. I was surprised to see that the children rarely did any of those things and would only engage with the paper when teachers initiated the paper play… The challenge for me was that I didn't know what the next steps would be after making paper. It was challenging to continue to have to think about this material that the children seemingly weren’t interested in - and I think that the teacher's lack of consistent of enjoyment with the material also played a huge part in it as well….I think that the dynamic between the children and paper, and each teacher's investment in this material investigation shifted when I hung the Tyvek paper up in the corner. It led to thoughts about space and prosocial behaviors amongst the children. This was exciting! It felt harmonious to be able to combine the paper investigation with a thread that was so prevalent in our room.”

- Myra, Toddler 1 South

“Exploring natural materials in Infant South has been both invigorating and just a bit worrisome. It has been a learning experience when it comes to offering babies materials that are safe. But mostly it’s been fun to watch what they do with leaves, how we offer leaves and how they have been studying the myriad of leaves. It's been such a joy to watch how our babies have shown how long the process of exploring one material can go on for.” 

- Dilcia, Infant South

“Something I found challenging was... diving deeper into our seed pod focus of our natural materials. We had some photos of seed pods but we never got around to doing anything else with the thought. Another challenging thing... We had a plan to crack open some acorns a few more times with T2 but because it’s considered a choking hazard, we had to stop. Unfortunately, something out of our control...However, at my old center, bringing any materials from outside or from home was never even heard of and I was told we weren't allowed to (along with many other things we weren't allowed to do).” 

- Kelsey, Toddler 1 North 

“Throughout this emotional time [the start of the year], clay was offered during each morning and afternoon provocation….Almost immediately, the clay became food… Each child seemed to find comfort and safety with this thread…. [However} after a few months of their exploration of cooking and clay, the idea seemed to fizzle. I was frustrated because it felt like we hadn’t done enough. It seemed like other rooms had found their “thing” and were taking their material investigation further and further each day. It wasn’t until Ivonne brought up the idea that, “children will explore something until they find an answer, or will give up because they have lost interest” that I was really able to reflect on our use of clay. Did the children let go of the cooking idea because they finally felt safe and secure in the classroom? Were they able to accept the idea that their parents would come back at the end of the day? Was cooking a way for them to connect, share and learn alongside their peers, despite their big emotions? 

These were questions I wanted to find answers for. So, I observed. I watched the children come into the classroom each morning, happier and happier as each day passed. I listened as parents told us “She spent the entire weekend missing school and wanting it to be Monday!” I learned from the children that not all questions have clear answers - sometimes you have to stop looking to find it.” 

- Imy, Toddler 2 South 

“At the beginning the kids didn’t really know what to do [with the natural materials]… they mostly didn’t really use them. What brought me joy was, as we left them out, they used them more and more, and they used them lots of different ways.” 

- Kerri, Toddler 2 North 

“Our interactions with the material first started off very simple with a slab of clay on the floor. Children would break off pieces of the clay and call it pasta, pancakes, or waffles, perhaps mimicking what they had eaten for breakfast before coming to school… After some time exploring the idea of cooking, and adding natural materials, interest started to fade away from the clay, so we decided to change how it was presented… to help them re-engage with the clay… but we had no such luck. At this point, we were feeling a bit stuck, but we then started to think about the element of surprise, and hiding/finding objects [in the clay]. We first started to do this just in the studio, bringing one group to the studio to hide objects and one group to find objects. Through this we noticed that children started to become curious about loose parts, so in our team meeting we talked about bringing loose parts to the classroom. Once this was done, children started to re-engage with the clay, and we observed children build (vertically and horizontally), hide, make marks, and so much more.”

- Kate, Toddler 2 South

“Not that it was a competition, but I'm not sure who has enjoyed our material investigation more; the babies or me. I obviously love natural materials, and I was excited to share my enthusiasm with our babies, families, and teammates. I was a bit intimidated at first, however, because I am not used to delving into an investigation right away, especially when we are so focused on just getting to know our babies and help them eat and sleep. But having a focus on a type of material, even if I didn't really get to observe it in action every day, still helped me get to know our babies through their individual styles of exploration….[sometimes the material itself] was ancillary to the relationship building that was happening at the forefront of their exploration. I learned about how an ongoing material investigation like this is not just about them learning about the material; everything that comes out of it is valuable.”

- Amara, Infant South

“In the beginning of our investigation, hearing the term ‘loose parts’ made me wonder what that really means. I have been taking out some loose part materials to investigate over the past years, but I had not really intentionally thought about how much a loose part can be used in different ways and how children would investigate this specific material differently than others...I also struggled to set up the classroom with only loose parts - I still find myself taking out blocks and other materials that I never thought would be considered loose parts. But I learned that anything you find is considered to be a loose part.”

- Gladys, Infant North 

The Possibilities of Paint - Ideas for At Home

Let's talk about paint!


For some people, the idea of painting at home with their young child is exciting. For other people, it is intimidating. For almost everyone, the word "messy" probably comes to mind.

At the same time, part of what is wonderful about paint is its possibility for expression. The exploration of gesture, color, and (especially with thicker paints) texture is a beautiful outlet for anyone (not just children), and can be an excellent way to center ourselves in the moment. This can lead to messiness, but, to me, the value of what is at work behind the messiness far outweighs the momentary stress of having to clean up a painty child.

So how do you set up paint at home in a way that feels manageable while still allowing your child freedom to actually explore the material? What if you don't have a ton of art supplies lying around? How can I be a part of my child's paint experience without taking it over?

Let's talk about these things!


Minimizing Mess

What can I handle?
Before setting up, think a bit about how much "mess" you feel comfortable with. Are you willing to risk some paint getting on the floor or a cabinet? What about paint getting on your child/their clothes/your clothes? Answering these questions honestly can help you decide what sort of experience you want to curate.

Choosing a setting:
A few options for setting up include...
- seated at a table
- in a dedicated space on the floor 
- outside (if it is warm enough and an outdoor space is available)
- in the tub (for super easy clean-up)
- at an easel or upright space (if you don't have an easel, you can take paper onto the refrigerator, kitchen cabinet, or wall)

Selecting your wardrobe:
No matter what the set-up, I would suggest that you (the adult) wear clothes that you don't mind getting painty!
For your child, you can choose between stripping to a diaper or undies OR putting on some paint-friendly clothes (either their own clothes that you don't mind getting messy or - my personal fave - an oversized t-shirt).

Protecting surfaces: 
Whether you are using a table or the floor, it is helpful to have something underneath your painting area to both protect whatever surface your painting on AND to define the space visually. Some possible materials to use for covering your floor or table include:
- a canvas dropcloth
- a table cloth
- a tarp
- a sheet
- large sheets of newspaper or other paper
- a towel (less ideal for table due to the thickness)
- parchment paper or plastic wrap (for table)

Prepare for clean-up:
It is helpful to set up near a bathroom or kitchen in order to be close to the sink, but whether or not this is possible, you can still be ready for clean-up by keeping these things close by!
- damp washcloths (some children might want one nearby to use as they go)
- a bowl or bin to put paint supplies in when finished (add water and soap and you now have a water activity!)
- a towel (to wrap up a messy kiddo)


Collecting Supplies: Recipes, Inspiration, and More


Paints
If you have washable tempera paint or watercolor paints (either liquid watercolor or a palette of dry color), these are excellent options to use at home. If you don't have either of these, never fear - you can make your own paint! Both of these paints are thick and fun to use for textural explorations. They will last for a few weeks if refrigerated. Offer them in small cups or bowls, in an ice cube tray, or straight onto the paper!

No-cook Flour + Salt Paint
-Mix together 1/2 cup of flour and 1/2 cup of salt.
- Slowly mix in 1/2 cup of water.
- Once smooth, divide into containers and add food coloring or liquid watercolor for color.

Cooked Finger Paint
-Stir 1/2 cup of flour with 1 cup of water in a pot over medium heat until it becomes a paste-like consistency and begins to pull away from the pot.
- Add a pinch of salt.
- Add 1/4 cup (or more as needed) of cold water to get your desired consistency.
- Divide into containers and add food coloring or liquid watercolor.

Painting Tools
Although brushes are the traditional tool for painting, they are by no means the only thing you can use! Here are a few other ideas for things to set out with your paint:
- cups or jars, spoons, and popsicle sticks for mixing colors
- leaves, flowers, pinecones, rocks (to use as paint tools or be painted on!)
- chopsticks, q-tips, sticks, combs, and forks for making lines through thick paint
- lids, spools, and other loose parts to use as stamps
- toy vehicles to make tracks through paint
- cotton-balls
- coffee filters
- sponges (as is or cut into shapes)
- droppers
- squeeze bottles
- and fingers of course!

Parent as Partner

So your paint experience is all set... but what should YOU do as your child paints? Here are a few suggestions:
- Paint on your own paper or collaboratively (if your child is so inclined) while echoing your child's movements - let them be the teacher! 
- Paint nearby to offer simple suggestions for how to use the materials (such as how to drag a comb to make lines, press a painted flower onto paper to make a print, or create a pattern using different colors or shapes). 
- Assume the role of documentarian and prop master - focus on taking pictures (and even taking notes if you want to try it!) and having extra paint, tools, and paper at the ready.
- Start in the abstract rather than jumping in to representational paintings (this can easily distract children from their work as they become more invested in what you are doing).

A few tips if children want you to paint for them or get discouraged because "yours is better":
- Gently say that you are not going to paint for them, but would be happy to show them how you did a certain technique for them to try. Walk them through it, with lots of encouragement. Then find something that you would like them to teach you how to do.
- Remind them that you have lived a lot longer than them and have had a lot more opportunities to practice! This is a great opportunity for them to start practicing, too.

**Also, check out these posts for preschool, toddler, and infant parents!**

Be well and enjoy!
Katie & Nova

What to do with Water? - Ideas for At Home

Have you ever wished that you had a sensory table at home? Well here are a few ideas for how to set up a water exploration space! You can go as simple or as elaborate as you would like, and there are several ways you can tailor what you offer to fit your space and the interests and age of your child! Of course, you could always explore other sensory materials in similar set-ups, but since water is something we all have access to, that is what I will focus on here.

Style #1: Simple and Spontaneous

   

The basic idea: find a wide, open bin or container with a flat bottom, fill it with water, and put it on the floor on top of a towel. This is something that I've pulled out multiple times when Nova has decided that all she wants to do is play with the cat's water dish. When she was still a baby, I used a ceramic baking dish (see above), because it had lower sides that she could reach over easily, and it was a little heavier and harder for her to slide around or accidentally tip over (kudos to former teacher Seana Williamson for the original inspiration). Now that she is a toddler, I have been using a plastic bin that is deeper and less breakable. 

 Style #2: Water Exploration Station

The basic idea: take the container described in the section above, elevate it, and add more surface space for transferring water. Maybe you have a child-level table that will hold your water bin, or maybe (like me) you have a ton of cardboard boxes still hanging around from when you moved. Place your container on top of whatever surface you choose in order to bring it to a good height for your child to be able to scoop and dump. It is nice to have extra space along the side for other containers to be added or for setting down utensils that aren't in use. I put together the above set-up in a matter of minutes yesterday by taping the water bin to a cardboard box with packing tape (I probably didn't really need to do this, but I figured better safe than sorry), lining the leftover box surface with a kitchen towel, and adding another plastic bin with the lid still on as additional "counter space."

What goes with water? - Material Suggestions

Now that you have your "water table," here are a few ideas for different types of set-ups you can create.

- Cooking and Mixing: bowls, whisks, measuring spoons, measuring cups, ladles, muffin tins... basically whatever you want to grab out of the kitchen

- Fluid Dynamics: funnels, containers of different heights and sizes (preferably clear or translucent), scoops, droppers, basters

- Paper Pulp: sheets of paper (ripped up or not) to submerge in the water; you can also offer surfaces to place the pulp to dry, such as plastic-wrap lined cooling racks or bowls to create dome sculptures. Just playing with the strange squishiness of wet paper can be pretty fun on its own, too.

- Color Experiments: small containers of different colors with spoons or droppers (or squeeze bottles if you have them!) full of colored water (I like to use liquid watercolor paint, since it is washable); or freeze ice cubes with different colored water, then add them into the clear water to watch it change.

- Bubbles: there are lots of tips for making bubble solution if you want to actually blow bubbles, but if you just want sudsy water, any dish soap will do. Combine with materials for stirring up more foam (whisks are great for this) and scooping and transferring it. If you are trying to blow actual bubbles, you can make some bubble blowing tools at home, too.

- Nature's Gifts: Combining natural materials with water is always great fun. Rocks, shells, leaves, pinecones (watch what happens if you submerge dry pinecones in water for awhile - it's fascinating!), flowers, etc. can all lead to interesting games in the water table. If you have any large rocks, it can be interesting to try brushing water onto their surfaces and seeing how the color changes.

- Mix and Match: And of course, any of the above ideas can be combined!

A few general tips:

- Put at least one towel on the floor AND have an extra on hand to wipe up additional spills. 

- Set up in the kitchen if possible - if not, try to be near the kitchen or bathroom so you have easy access to a sink for either getting more water or pouring water out, as well as materials for clean up.

- It's okay to set limits, AND it's fun to look for possibilities! For instance, one day Nova started to transport water across the kitchen to her pretend cooking area, leaving a trail of drips across the floor. I ushered her back over to the water-play zone, while also bringing some of her play pots and pans back with us so she could include them in her water experience.

- You can decide how "permanent" you would like it to be. Maybe you create a set-up that you leave out for a few days or more. Maybe you keep your materials tucked in a corner to pull out as needed. Maybe you set something out, then put it all away when you are done because the last thing you need is more piles cluttering up the house. Do what works for you!

- Start out simple - you can always add more later! Both at home and at work, I often have an extra element set aside to bring out when interest starts to wane (such as the colored ice cubes seen above). This helps to extend the experience!

I hope this offers you some ideas for your days at home!

Be well,

Katie (and Nova)

Professional Development For Teachers/ By Teachers/About Teaching

At 9:00 AM, on our annual Day of Learning, 58 educators gazed around a circle expectantly, wondering about how they’d spend their day.

At 9:01 AM, a teacher stepped forward to write a question she wanted to discuss on a big piece of paper. Then another teacher stepped into the circle, then another, each sharing an issue that needed attention. Soon our agenda was full and teachers were off to their first session. No one told them what to do, where to be, or what to work on for the next three hours.

How did this come to be? First,  a little background:

For seven years, our teachers gather with educators from other centers for workshops and a keynote. We appreciate meeting and eating together, being inspired and celebrated. We’ve had some great workshops and a few incredible speakers. We’ve been satisfied, but we’ve also heard that teachers wish they had gotten more out of the day for a variety of reasons. Simultaneously, our directors are trusting teachers more to influence our shared pedagogy and share expertise with one another and others.

This year, we tried something different. We spent our morning in Open Space and our afternoon implementing the plans we’d made. We trusted teachers to co-create their learning the way that we trust children. We had already begun planning this Day of Learning, when I encountered Laurie Calvert's white paper "Moving From Compliance to Agency; What Teachers Need to Make Professional Learning Work." and I was encouraged by her words:

"constructivist theories are grounded in a body of research  that shows people

gain knowledge and meaning from the interaction between their experiences

and beliefs... for real learning to take place, the adult learners must be

both decision makers and the subjects — and agents — of their own learning. "

Harrison Owens invented Open Space Technology  by  to make workshops more like the coffee breaks in conferences, where he saw the most excitement. Open Space has facilitated whole school systems, corporations, unions, NGO’s, neighborhoods and other communities answering questions or solving problems that are big and urgent. Sometimes over a whole week! We sampled hour-long Open Space sessions at past Days of Learning with success and were ready to unleash the power of teacher’s hearts and minds making them the decision makers.

Generally, Open Space organizers propose a broad theme and then participants spontaneously co-create the agenda. Meetings are composed only of people who feel passionately about the topic, so conversations are energetic and lively, and the learning is deep.

Our theme was  “What Would Mr. Roger’s Do?”

“In a world of learning standards, digital distractions and injustice…

How do we make room for play?

How do we nurture children's interior lives?

How can we model challenging bias and building a fairer world?

How can we offer children the compassion, humor, attention to detail and radical respect that Mr. Rogers did?”

We shared some of his work with attendees in advance, to whet appetites and educate some of our international staff's who were unfamiliar with Rogers. He and his work were our point of departure and inspiration for the day.

Here are a few of the sessions that teachers convened:

How can we advocate for peace in our classroom while honoring conflict and struggle?

How do we encourage self worth and positive body image in a world that’s constantly telling kids that they are cute?

How should we facilitate and make room for weapon play?

Given the bazillion necessary transitions in ECE classrooms how do we realize rich curriculum?

How can we become collaborators in children’s learning (rather than dictators, playmates, or silent observers) and still do everything we need to do everyday?

Sessions were filled with thoughtful teachers leaning across tables, talking quickly and excitedly or thoughtfully and deliberately, laughing, crying and creating new solutions and ideas. It was incredible to witness and it was facilitated by a very simple structure.

Open Space has One Law and Four Principles. Here's how they looked for us:

“The Law of Mobility” (AKA “The Rule of Two Feet”)

You can come and go at any time. You are obliged to move if you aren’t contributing or benefitting from the session. Pairing freedom and obligation has powerful results:

[In one session about racial justice, children and families] “I felt like I immediately messed up, and I really felt so raw and uncomfortable and I was like, ‘Oh my god, I have to leave because I don’t think I can challenge myself on this right now.’ But then I was like, ‘No no no, you’re staying.’ I could change my mind about that.”

“Usual PD, you have to sit there and keep your eyes open even when it’s boring.. The first session, was a hard topic to talk about. If I wanted to bail for any reason, I could leave and go somewhere else... but I didn’t, actually. I stayed.”

In a group of care-givers, this mandate to take care of oneself and one’s own learning was radical.

Whoever comes are the right people.

A preschool teacher and an infant teacher decided to bring their children together. Our center values cross-class collaboration, but a series of scheduling emails can’t generate the same level of excitement as an unstructured conversation. Instead of working to find commonality, two teachers wondered about the same question and shared inspiration which will inform their shared work.

Whatever happens is the only thing that could have.

Our Day of Learning was three days after the 2016 presidential election. Many teachers were worried about the outcomes for education, their health care, the safety of their bodies or the bodies of their loved ones. They’d been balancing their feelings with the crucial and absorbing work of care-giving. They needed to balance bringing their whole selves to work and leaving some of their strong emotions outside the classroom.

The group grieved, told stories,  shared worries and fears. They took turns witnessing and  supporting one another. When the hour long session was “over”, they knew that another group would be arriving to have a new session, but they were not even close to done. They trusted in the principles and moved their session outside for at least another thirty minutes. After exploring their feelings, the conversation became more solution-oriented.The group named ways to care for themselves and have a healthy boundary and then shared those with the larger group.

When it starts is the right time.

Only two teachers showed up for one session about how to ground curriculum in the natural world. Their talk ranged to a general discussion of the Reggio Emilia approach and both figured they wouldn’t get to the topic that brought them together. Three other teachers arrived twenty minutes later, and it was suddenly clear that the moment was right and their work was more powerful because it started when the conditions were right.

When it's over, it's over.

During our agenda creation, one teacher asked a great question, and others were interested. Later, those interested teachers must have chosen other conversations because the convening teacher stood by her question looking eagerly around. After about ten minutes, she left to find another session that interested her; and she brought the lens of her question with her to other discussions throughout the day. This flexibility comes naturally to many teachers who adapt throughout their work day.

Three hours after that first brave teacher stood up and picked up a marker to begin creating our agenda,  we heard from teachers about the day:

“This felt much more productive and thought provoking than other professional development.”

“This is the best day in my history of Day of Learning.”

“This validates what we do.”

“It felt great to navigate my own learning. There’s usually one agenda, and I could choose my learning today.”

“I really needed this today.”

“I’m grateful to be surrounded by so many people who are thinking critically, and reflecting and questioning and acting.”

After reflecting on our process and offering gratitude and appreciation for one another, we examined the next steps that each session offered. We indicated which we would be willing to spend our time and energy pursuing by adding checks and stars. (Each person got three checks and one star to “spend” to communicate their enthusiasm.) Some of the next steps were:

Creating a “family shelf” tradition to emphasize the idea that “Everyone has a culture.”

A new practice of “refreshing” morning provocations, or offering a new provocation in the middle of the morning.

Developing a habit of trying a few different approaches to offering materials to children.

Writing to legislators about our priorities for families, teachers and children.

Teachers from three different centers will create a blog whose audience will be the general public in order to raise awareness about the importance of social emotional learning in the early years.

Initiating a preemptive conversation about aggressive play styles and narratives with toddler families and teachers BEFORE their children enter preschool.

Each of these next steps COULD have been the outcome of a particularly moving workshop, but organizers would have to choose specifically the right presenters for the sixty teachers in attendance. Our humble, open-hearted director said “My question was “What do teachers really need?” and we answered it; You need time and space to process....” With Open Space, each teacher had the opportunity to grow and learn about whatever was most exciting (or upsetting, or curious...) to them. Staff alumni attended as collaborators and co-thinkers, not “presenters” . Everyone (directors too!) inhabited the roles of learner, witness and teacher flexibly. Teachers were given the afternoon to follow up on their initiatives in their teams, and they spent lunchtime sharing stories of their mornings together.

I recently had the pleasure of seeing James Noonan speak about his dissertation, and his words from a blog post entitled "Professional Development (and Teacher Agency) As We Know It" rang in my head as teachers departed at the end of the day:

"In my research, I asked teachers to tell me about their most powerful professional

learning experience and about a corresponding professional learning experience

that they “would like never to have again.” ... Among good and bad experiences I

found ones that were both expert-led lectures and decentralized learning communities,

school-based and external, content-focused and more cerebral, years-long and hours-long, pedagogically experiential and didactic.... I am increasingly convinced that agency is one

of the most salient distinguishing features of powerful professional learning. Indeed, of the

25 powerful learning experiences I studied, 21 involved some degree of teacher agency. Of

15 corresponding negative learning experiences, 13 were mandated. The contrast, while

certainly not conclusive, was striking and suggests to me that instead of carefully balancing

the scales between agency and compliance it is preferable to tip them toward agency."