Extended Encounters: Reflecting on our long-term material investigations

“A first encounter for children with materials… is a necessary step in children’s process of knowing. Through such encounters and explorations, children build an awareness of what can happen with materials, and adults build the ability to observe and support the significance of each particular experience.”

-        Giovanni Piazza, “Materials, Relationships, and Languages,” in ed. Gandini, Hill, Cadwell, and Schwall, In the Spirit of the Studio, p. 13.

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How do we build a relationship with a material? What can we gain by continuing to engage and re-engage with a material over an extended period of time? These were some of the questions at work for both teachers and children this year as each classroom embarked on a three-month-long material investigation together.

At the start of the year, each classroom chose a specific type of material (light, paper, loose parts, clay, natural materials, paint, or fabric) to explore, signing on to have that material present in their classroom every day and be part of their documentation, reflection, and curriculum planning for the next three months. Five classrooms chose natural materials, one chose paper, one chose clay, and one chose loose parts, and away we went!

Our material investigation was by no means an easy undertaking. It required stretching, growing, learning, and disequilibrium on the part of teachers and children. The same way that children often express frustration as they learn a new skill or grapple with a new concept, many teachers found themselves challenged to think differently about their material and its possibilities. 

Different classrooms took different approaches to this project – some classrooms set themselves a focus from the start, while others explored more openly, waiting for an interesting question or idea to arise. Some materials came with particular challenges that necessitated flexible thinking and collaboration on the part of teams. For many classrooms, the material itself provided a lens or portal through which other threads could be explored. In a few cases, however, the natural material itself proved the catalyst for going deeper, encouraging the children and teachers to learn more about that material’s unique possibilities. 

Many of our teachers took time to reflect on their experience with this long-term investigation, using the following prompts as a starting point:

• How did your understanding of the material and its possibilities change over time?
• How did children's interactions with the material change over time?
• What was surprising or challenging to you during the investigation?
• What brought you joy during the investigation? 

Excerpts from their reflections are collected here under the groupings of “overcoming challenges,” “a portal to possibilities,” and “going deeper” in order to share one facet of our work with you. Of course, there is always overlap, and there are cases where teachers’ words could fit into any of these categories. In each case, I used my best judgement to put them under the heading that seemed the best fit. Thank you for reading and please share any of your own thoughts and experiences from this investigation!

- Katie

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Overcoming Challenges

Many challenges arose for different teachers over the course of this work - some expected and some not. Sometimes it was a challenge to find the right approach to the material in order to engage both the children and teachers in the exploration. In other cases, the material itself necessitated flexible thinking around issues, such as how to use it safely with young children. 

“It was hard at the beginning to include a material that none of us were quite interested in. Over time, though, the children's interest in this material evolved to another unexpected way of usage: Space. Children demonstrated awareness of the material as a tool to create a physical space and define it, moving the paper as a "stage" to sit, jump or play on it, or using it to hide. This was amazing to see. It brought me joy to realize the many ways and uses the children gave to sheets of paper.”

- Connie, Toddler 1 South

“At first, I thought that the children would show interest in the properties of paper by exploring it in ways that included trying to rip it, crinkle it and scrunching it up into a ball. I was surprised to see that the children rarely did any of those things and would only engage with the paper when teachers initiated the paper play… The challenge for me was that I didn't know what the next steps would be after making paper. It was challenging to continue to have to think about this material that the children seemingly weren’t interested in - and I think that the teacher's lack of consistent of enjoyment with the material also played a huge part in it as well….I think that the dynamic between the children and paper, and each teacher's investment in this material investigation shifted when I hung the Tyvek paper up in the corner. It led to thoughts about space and prosocial behaviors amongst the children. This was exciting! It felt harmonious to be able to combine the paper investigation with a thread that was so prevalent in our room.”

- Myra, Toddler 1 South

“Exploring natural materials in Infant South has been both invigorating and just a bit worrisome. It has been a learning experience when it comes to offering babies materials that are safe. But mostly it’s been fun to watch what they do with leaves, how we offer leaves and how they have been studying the myriad of leaves. It's been such a joy to watch how our babies have shown how long the process of exploring one material can go on for.” 

- Dilcia, Infant South

“Something I found challenging was... diving deeper into our seed pod focus of our natural materials. We had some photos of seed pods but we never got around to doing anything else with the thought. Another challenging thing... We had a plan to crack open some acorns a few more times with T2 but because it’s considered a choking hazard, we had to stop. Unfortunately, something out of our control...However, at my old center, bringing any materials from outside or from home was never even heard of and I was told we weren't allowed to (along with many other things we weren't allowed to do).” 

- Kelsey, Toddler 1 North 

“Throughout this emotional time [the start of the year], clay was offered during each morning and afternoon provocation….Almost immediately, the clay became food… Each child seemed to find comfort and safety with this thread…. [However} after a few months of their exploration of cooking and clay, the idea seemed to fizzle. I was frustrated because it felt like we hadn’t done enough. It seemed like other rooms had found their “thing” and were taking their material investigation further and further each day. It wasn’t until Ivonne brought up the idea that, “children will explore something until they find an answer, or will give up because they have lost interest” that I was really able to reflect on our use of clay. Did the children let go of the cooking idea because they finally felt safe and secure in the classroom? Were they able to accept the idea that their parents would come back at the end of the day? Was cooking a way for them to connect, share and learn alongside their peers, despite their big emotions? 

These were questions I wanted to find answers for. So, I observed. I watched the children come into the classroom each morning, happier and happier as each day passed. I listened as parents told us “She spent the entire weekend missing school and wanting it to be Monday!” I learned from the children that not all questions have clear answers - sometimes you have to stop looking to find it.” 

- Imy, Toddler 2 South 

“At the beginning the kids didn’t really know what to do [with the natural materials]… they mostly didn’t really use them. What brought me joy was, as we left them out, they used them more and more, and they used them lots of different ways.” 

- Kerri, Toddler 2 North 

“Our interactions with the material first started off very simple with a slab of clay on the floor. Children would break off pieces of the clay and call it pasta, pancakes, or waffles, perhaps mimicking what they had eaten for breakfast before coming to school… After some time exploring the idea of cooking, and adding natural materials, interest started to fade away from the clay, so we decided to change how it was presented… to help them re-engage with the clay… but we had no such luck. At this point, we were feeling a bit stuck, but we then started to think about the element of surprise, and hiding/finding objects [in the clay]. We first started to do this just in the studio, bringing one group to the studio to hide objects and one group to find objects. Through this we noticed that children started to become curious about loose parts, so in our team meeting we talked about bringing loose parts to the classroom. Once this was done, children started to re-engage with the clay, and we observed children build (vertically and horizontally), hide, make marks, and so much more.”

- Kate, Toddler 2 South

“Not that it was a competition, but I'm not sure who has enjoyed our material investigation more; the babies or me. I obviously love natural materials, and I was excited to share my enthusiasm with our babies, families, and teammates. I was a bit intimidated at first, however, because I am not used to delving into an investigation right away, especially when we are so focused on just getting to know our babies and help them eat and sleep. But having a focus on a type of material, even if I didn't really get to observe it in action every day, still helped me get to know our babies through their individual styles of exploration….[sometimes the material itself] was ancillary to the relationship building that was happening at the forefront of their exploration. I learned about how an ongoing material investigation like this is not just about them learning about the material; everything that comes out of it is valuable.”

- Amara, Infant South

“In the beginning of our investigation, hearing the term ‘loose parts’ made me wonder what that really means. I have been taking out some loose part materials to investigate over the past years, but I had not really intentionally thought about how much a loose part can be used in different ways and how children would investigate this specific material differently than others...I also struggled to set up the classroom with only loose parts - I still find myself taking out blocks and other materials that I never thought would be considered loose parts. But I learned that anything you find is considered to be a loose part.”

- Gladys, Infant North 

Pathway Play: Creating a Marble Run

by Amanda Caulfield, Preschool 2 Teacher at PTCC

The Inspiration:  

Children in Preschool Two have been interested in creating and exploring pathways during their play.  This has ranged from building paths in the sand to constructing ramps and roads as a part of our work with mapping.  One of the ways that we have been observing children’s thinking related to pathways was through their construction and use of marble runs.  I have always been interested in observing the problem solving strategies that emerge when children work with marble runs.  

I chose to create this provocation offering because I felt it was something that could be easily executed and extended at home using everyday materials.  I also felt excited about the prospect of parents being able to get a window into their child’s thinking and problem-solving skills by watching them interact with this provocation.  And of course, I felt it would be fun to make and test my own marble run in order to connect with the children!  

The children create a pathway for rainwater to flow through mud and sand on the playground.

Nate lifts the marble run up at an angle to catalyze the marble and water to pass through in the classroom sensory table.

The Provocation:  

Create your own marble run using the materials you have at home! This is a great opportunity to explore concepts related to pathways, trajectory, and motion.  

The materials that I found at home to use for this provocation were: 

Cardboard pieces

Clothespins

Plastic cups

Plastic lids to paint containers 

Paper towel roll

Index cards

Marbles 

My husband, Kevin, and I worked together to create a marble run that would knock down clothespins at the end.

At first, a part of our marble run looked like this, but the marble kept bouncing off of the plastic funnel-shaped piece. 

We decided to use a clothespin as a wall to block the marble from bouncing out. 

Here is what we came up with!

Materials, Questions, Extensions 

Other material suggestions:

-Popsicle sticks 

-Scrap wood or metal

-Cans

-Wine corks

-Blocks

-PVC pipe

-Envelopes

-Wooden train tracks 

-Tape rolls

-Balls
-Water beads

Questions to ask while children are playing: 

-How will you get the marble to move?

-What do you notice about how the marble rolls through the marble run?  

-How can we change what happens?

-How could you make the marble move slower?  Faster?

Ways to extend this provocation: 

-Try to get the marble to hit a certain target (for example, land into a cup or knock something over).

-Create pathways for use with sensory materials such as sand or water. 

- Create several marble runs to race against each other.

The Possibilities of Paint - Ideas for At Home

Let's talk about paint!


For some people, the idea of painting at home with their young child is exciting. For other people, it is intimidating. For almost everyone, the word "messy" probably comes to mind.

At the same time, part of what is wonderful about paint is its possibility for expression. The exploration of gesture, color, and (especially with thicker paints) texture is a beautiful outlet for anyone (not just children), and can be an excellent way to center ourselves in the moment. This can lead to messiness, but, to me, the value of what is at work behind the messiness far outweighs the momentary stress of having to clean up a painty child.

So how do you set up paint at home in a way that feels manageable while still allowing your child freedom to actually explore the material? What if you don't have a ton of art supplies lying around? How can I be a part of my child's paint experience without taking it over?

Let's talk about these things!


Minimizing Mess

What can I handle?
Before setting up, think a bit about how much "mess" you feel comfortable with. Are you willing to risk some paint getting on the floor or a cabinet? What about paint getting on your child/their clothes/your clothes? Answering these questions honestly can help you decide what sort of experience you want to curate.

Choosing a setting:
A few options for setting up include...
- seated at a table
- in a dedicated space on the floor 
- outside (if it is warm enough and an outdoor space is available)
- in the tub (for super easy clean-up)
- at an easel or upright space (if you don't have an easel, you can take paper onto the refrigerator, kitchen cabinet, or wall)

Selecting your wardrobe:
No matter what the set-up, I would suggest that you (the adult) wear clothes that you don't mind getting painty!
For your child, you can choose between stripping to a diaper or undies OR putting on some paint-friendly clothes (either their own clothes that you don't mind getting messy or - my personal fave - an oversized t-shirt).

Protecting surfaces: 
Whether you are using a table or the floor, it is helpful to have something underneath your painting area to both protect whatever surface your painting on AND to define the space visually. Some possible materials to use for covering your floor or table include:
- a canvas dropcloth
- a table cloth
- a tarp
- a sheet
- large sheets of newspaper or other paper
- a towel (less ideal for table due to the thickness)
- parchment paper or plastic wrap (for table)

Prepare for clean-up:
It is helpful to set up near a bathroom or kitchen in order to be close to the sink, but whether or not this is possible, you can still be ready for clean-up by keeping these things close by!
- damp washcloths (some children might want one nearby to use as they go)
- a bowl or bin to put paint supplies in when finished (add water and soap and you now have a water activity!)
- a towel (to wrap up a messy kiddo)


Collecting Supplies: Recipes, Inspiration, and More


Paints
If you have washable tempera paint or watercolor paints (either liquid watercolor or a palette of dry color), these are excellent options to use at home. If you don't have either of these, never fear - you can make your own paint! Both of these paints are thick and fun to use for textural explorations. They will last for a few weeks if refrigerated. Offer them in small cups or bowls, in an ice cube tray, or straight onto the paper!

No-cook Flour + Salt Paint
-Mix together 1/2 cup of flour and 1/2 cup of salt.
- Slowly mix in 1/2 cup of water.
- Once smooth, divide into containers and add food coloring or liquid watercolor for color.

Cooked Finger Paint
-Stir 1/2 cup of flour with 1 cup of water in a pot over medium heat until it becomes a paste-like consistency and begins to pull away from the pot.
- Add a pinch of salt.
- Add 1/4 cup (or more as needed) of cold water to get your desired consistency.
- Divide into containers and add food coloring or liquid watercolor.

Painting Tools
Although brushes are the traditional tool for painting, they are by no means the only thing you can use! Here are a few other ideas for things to set out with your paint:
- cups or jars, spoons, and popsicle sticks for mixing colors
- leaves, flowers, pinecones, rocks (to use as paint tools or be painted on!)
- chopsticks, q-tips, sticks, combs, and forks for making lines through thick paint
- lids, spools, and other loose parts to use as stamps
- toy vehicles to make tracks through paint
- cotton-balls
- coffee filters
- sponges (as is or cut into shapes)
- droppers
- squeeze bottles
- and fingers of course!

Parent as Partner

So your paint experience is all set... but what should YOU do as your child paints? Here are a few suggestions:
- Paint on your own paper or collaboratively (if your child is so inclined) while echoing your child's movements - let them be the teacher! 
- Paint nearby to offer simple suggestions for how to use the materials (such as how to drag a comb to make lines, press a painted flower onto paper to make a print, or create a pattern using different colors or shapes). 
- Assume the role of documentarian and prop master - focus on taking pictures (and even taking notes if you want to try it!) and having extra paint, tools, and paper at the ready.
- Start in the abstract rather than jumping in to representational paintings (this can easily distract children from their work as they become more invested in what you are doing).

A few tips if children want you to paint for them or get discouraged because "yours is better":
- Gently say that you are not going to paint for them, but would be happy to show them how you did a certain technique for them to try. Walk them through it, with lots of encouragement. Then find something that you would like them to teach you how to do.
- Remind them that you have lived a lot longer than them and have had a lot more opportunities to practice! This is a great opportunity for them to start practicing, too.

**Also, check out these posts for preschool, toddler, and infant parents!**

Be well and enjoy!
Katie & Nova